Roberto Saccà

Tenor

Reviews 2003

La Cenerentola, Opernhaus Zürich

Playing an amiable and natural-mannered Prince Ramiro, Roberto Saccà’s radiant voice, with its infallible top C, achieved as ever great effect.

Der Neue Merker,
BMW-Konzert mit Zubin Metha, München

Roberto Saccà sang Belmonte’s aria ²Wenn der Freude Tränen fliessen² with great precision and sensitive phrasing, and in Strauss’s ²Morgen² showed a gently lyrical upper tenor range to boot.

Der Neue Merker,
Entführung aus dem Serail, Bayrische Staatsoper München

Applause, on the other hand, for Roberto Saccà’s thoroughly noble Belmonte.

Nürnberger Nachrichten,
Arte Nova: Porträt" CD-Produktion, Deutschland

Roberto Saccà was scintillating on his high notes, and glided effortlessly through well-known, perennially beautiful cantilenas, drawing out their sonority as he can so well. In short, he lived up to his pretty impressive reputation. Tenors of this style are rare and highly sought after.

Applaus,
"L'heure espagnole" und "Gianni Schicch", Tokyo

Roberto Saccà sang a ravishing Rinuccio, with strong and sonorous voice.

Mainichi Shinbun,
Cosi Fan Tutte, Opéra de la Bastille - Paris

Roberto Saccà, recently seen as Almaviva in Barbiere, sang a perfect Ferrando.

Concertonet,
Arte Nova: Porträt" CD-Produktion, Deutschland

A disc has been released by Arte Nova of arias sung by Roberto Saccà, a member of Zurich Opera for almost a decade. In Donizetti, Rossini, Verdi, Puccini and Cilea, he demonstrates versatility, temperament, good technique and clear diction.

Kurier,
Zauberflöte, Menuhin Festival Gstaad

The star of the cast was Roberto Saccà, currently one of the world’s best Taminos.

Der Bund,
Der Zigeunerprimas, Konzert des Bayerischen Rundfunks, München

Roberto Saccà shone in the duets, with his full-bodied, lyrical tenor voice.

Der Neue Merker,

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